Primärliteratur
Barthes, Roland. Was singt mir, der ich höre in meinem Körper das Lied. Berlin: Merve, 1979.
Conrad, Joseph. The Collected Letters of Joseph Conrad. 3 Bde. Cambridge u.a.: Cambridge University Press, 1983-1988.
Conrad, Joseph. Heart of Darkness: with the Congo Diary. Ed. Robert Hampson. London u.a.: Penguin, 1995.
Conrad, Joseph. Heart of Darkness. A Norton Critical Edition. Ed. Robert Kimbrough. 3. Aufl. New York, London: Norton, 1988.
Conrad, Joseph. The Nigger of the "Narcissus". A Norton Critical Edition. Ed. Robert Kimbrough. New York: Norton, 1979.
Conrad, Joseph. Nostromo. London u.a.: Penguin, 1994.
Conrad, Joseph. Notes on Life and Letters. London, Toronto: Dent, 1924.
Conrad, Joseph. A Personal Record. London, Toronto: Dent, 1923.
Conrad, Joseph. Tales of Unrest. London, Toronto: Dent, 1923.
Conrad, Joseph. Typhoon and Other Stories. London, Toronto: Dent, 1929.
Derrida, Jacques. Die Stimme und das Phänomen. Frankfurt a.M.: Suhrkamp, 1979.
Eliot, T.S. The Complete Poems and Plays. London, Boston: Faber and Faber, 1969.
Hofmannsthal, Hugo von. Gesammelte Werke in Einzelausgaben. 15 Bde. Frankfurt a.M.: Fischer, 1949-1964.
Lewis, Matthew Gregory. "The Monk", Four Gothic Novels. Oxford, New York: Oxford University Press, 1994. S. 155-444.

Sekundärliteratur
Achebe, Chinua. "An Image of Africa: Racism in Conrad's Heart of Darkness", Joseph Conrad. Heart of Darkness. Norton Critical Edition. Ed. Robert Kimbrough. 3. Aufl. New York, London: Norton, 1988. S.251-262.
Adelman, Gary. Heart of Darkness: Search for the Unconscious. Boston: Twayne Publishers, 1987.
Bakhtin, M.M. The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Austin, London: University of Texas Press, 1981.
Brewer's Dictionary of Phrase and Fable. 14. Aufl. London: Cassell, 1989.
Chapman, Raymond. The Treatment of Sounds in Language and Literature. Oxford: Blackwell, 1984.
Cox, C.B. Joseph Conrad: The Modern Imagination. London: Dent, 1974.
Daleski, H.M. Joseph Conrad: The Way of Disposession. London: Faber and Faber, 1977.
Dobrinsky, Joseph. The Artist in Conrad's Fiction: A Psychocritical Study. Ann Arbor, London: UMI Research Press, 1989.
Domelen, John E. van. "Conrad and the Power of Rhetoric", Conradiana 8, 1976. S.172-178.
Dowden, Wilfred S. Joseph Conrad: The Imaged Style. Nashville: Vanderbuilt University Press, 1970.
Eckert, Hartwig und John Laver. Menschen und ihre Stimmen: Aspekte der verbalen Kommunikation. Weinheim: Beltz, Psychologie-Verl.-Union, 1994.
Ellis, James. "Kurtz's Voice: The Intended as 'The Horror!'", English Literature in Transition 19, 1976. S.105-110.
Etymologisches Wörterbuch des Deutschen. 3 Bde. Berlin: Akademie-Verl., 1989.
Fagan, Robert. "Conrad: Voices and Books", Polish Review 25, 1980. S.58-69.
Fischer, Peter-Michael und Karl Hartlieb. Die Stimme des Menschen: Aufbau, Funktion und Leistung. Frankfurt a.M.: Lang, 1984.
Fogel, Aaron. Coercion to Speak: Conrad's Politics of Dialogue. Cambridge,Mass.: Harvard University Press, 1985.
Fothergill, Anthony. Heart of Darkness. Open Guides to Literature. Milton Keynes: Open University Press, 1989.
Genette, Gerard. Narrative Discourse Revisited. Ithaca,N.Y.: Cornell University Press, 1988.
Griem, Julika. Brüchiges Seemannsgarn: Mündlichkeit und Schriftlichkeit im Werk Joseph Conrads. ScriptOralia. Tübingen: Narr, 1995.
Guerard, Albert J. "The Conradian Voice", (Ed.) Norman Sherry. Joseph Conrad: A Commemoration. New York: MacMillan, 1976. S.1- 16.
Guerard, Albert J. "The Nigger of the 'Narcissus'", Joseph Conrad. The Nigger of the "Narcissus". A Norton
Critical Edition. Ed. Robert Kimbrough. New York: Norton, 1979. S.219-238.
Gundermann, Horst. Phänomen Stimme. München, Basel: Reinhardt, 1994.
Hawthorn, Jeremy. Joseph Conrad: Narrative Technique and Ideological Commitment. London: Arnold, 1990.
Helferich, Christoph. Geschichte der Philosophie: Von den Anfängen bis zur Gegenwart und östliches Denken. Stuttgart: Metzler, 1985.
Henricksen, Bruce. "The Construction of the Narrator in The Nigger of the 'Narcissus'", PMLA 103, 1988. S.783-795.
Henricksen, Bruce. Nomadic Voices: Conrad and the Subject of Narrative. Urbana: University of Illinois Press, 1992.
The Holy Bible: King James Version. New York: Ivy Books, 1991.
Ihde, Don. Listening and Voice: A Phenomenology of Sound. Athens: Ohio University Press, 1976.
Inamdar, F.A. Image and Symbol in Joseph Conrad's Novels. Jaipur: 1979.
Kahane, Claire. "Seduction and the Voice of the Text: Heart of Darkness and The Good Soldier", Dianne Hunter (Ed.). Seduction and Theory: Readings of Gender, Representation and Rhetoric. Urbana: University of Illinois Press, 1989. S. 135-153.
Kimmerle, Heinz. Derrida zur Einführung. 3. Aufl. Hamburg: Junius, 1992.
Kittler, Friedrich A. Aufschreibesysteme 1800/1900. München: Fink, 1987
Kittler, Friedrich A. Grammophon, Film, Typewriter. Berlin: Brinkmann und Bose, 1986.
Kolupke, Joseph. "Elephants, Empires, and Blind Men: A Reading of the Figurative Language in Conrad's 'Typhoon'", Conradiana 20, 1988, S.71-85.
Kuchta, Todd M. "Framing 'the Horror': Voice and Voice-Over in Heart of Darkness und Apocalypse Now", Studies in the Humanities 21/1 1994, S.45-59.
Lewin, Beth. English Verb Classes and Alternations: A Preliminary Investigation. Chicago, London: The University of Chicago Press, 1993.
Lexikon der Psychologie. (Ed.) Wilhelm Arnold u.a. 3 Bde. 2. Aufl. Freiburg u.a.: Herder, 1987.
Lincoln, Kenneth R. "Voice and Vision in Joseph Conrad", Conradiana 1/3, 1969. S. 95-100.
Lothe, Jakob. "Variations of Narrative in The Nigger of the 'Narcissus'", Conradiana 16/3, 1984. S.215-224.
London, Bette. The Appropriated Voice: Narrative Authority in Conrad, Forster and Woolf. Ann Arbor: The
University of Michigan Press, 1990.
Manicom, David. "True Lies / False Truths: Narrative Perspective and the Control of Ambiguity in The Nigger of the 'Narcissus'", Conradiana 18, 1986. S. 105-118.
Meyer, Petra Maria. Die Stimme und ihre Schrift: Die Graphophonie der akustischen Kunst. Wien: Passagen-Verl., 1993.
Miethe, Erhard und Marion Hermann-Röttgen. Wenn die Stimme nicht stimmt...: Symptome, Ursachen, Therapie; Bedingungen und Wirkungen der Stimme; Die Stimme im Beruf. Stuttgart: TRIAS, 1993.
Nadelhaft, Ruth L. Joseph Conrad. Feminist Readings. New York u.a.: Harvester Wheatsheaf, 1991.
The New Encyclopedia Britannica. 15. Aufl. 30 Bde. Chicago: Benton, 1979.
O'Donnell, Patrick. Echo Chambers: Figuring Voice in Modern Narrative. Iowa City: University of Iowa Press, 1992.
The Oxford English Dictionary (OED). 2. Aufl. 20 Bde. Oxford: Clarendon Press, 1989
Parry, Benita. Conrad and Imperialism: Ideological Boundaries and Visionary Frontiers. London, Basingstoke: MacMillan, 1983.
Pecora, Vincent. "Heart of Darkness and the Phenomenology of Voice", ELH 52/4, 1985. S.993-1015.
Perry, John Oliver. "Action, Vision, or Voice: The Moral Dilemmas in Conrad's Tale-Telling", Modern Fiction Studies 10, 1964. S.3-14.
Ray, Martin. "Language and Silence in the Novels of Joseph Conrad", Conradiana 16, 1984. S.14-36.
Reeves, Charles Eric. "A Voice of Unrest: Conrad's Rhetoric of the Unspeakable", Texas Studies in Literature and Language 27/3, 1985. S.284-310.
Ross, Stephen M. Fiction's Inexhaustible Voice: Speech and Writing in Faulkner. Athens: University of Georgia Press, 1989.
Said, Edward W. "Conrad and Nietzsche", Norman Sherry (Ed.). Joseph Conrad: A Commemoration. New York: MacMillan, 1976. S.65-76.
Said, Edward W. Culture and Imperialism. London: Vintage, 1993.
Said, Edward W. Joseph Conrad and the Fiction of Autobiography. Cambridge,Mass.: Harvard University Press, 1966.
Schwarz, Daniel R. "The Necessary Voyage: Voice and Authorial Presence in The Nigger of the 'Narcissus'", Modern British Literature 3, 1978. S.35-47.
Seeber, Hans Ulrich. "Surface as Suggestive Energy: Fascination and Voice in Conrad's Heart of Darkness".Stuttgart, 1996. Maschr.
Senn, Werner. Conrad's Narrative Voice: Stylistic Aspects of His Fiction. Bern: Francke, 1980.
Stewart, Garrett. Reading Voices: Literature and the Phonotext. Berkeley,Cal. u.a.: University of California Press, 1990.
Watt, Ian. "Conrad Criticism and The Nigger of the 'Narcissus'", Joseph Conrad. The Nigger of the
"Narcissus". A Norton Critical Edition. Ed. Robert Kimbrough. New York: Norton, 1979. S. 239-258.
Wegelin, Christof. "MacWhirr and the Testimony of the Human Voice", Conradiana 7, 1975. S.45-50.
Weiss, Allen S. "Radiophonic Art: The Voice of the Impossible Body", Discourse 14/2, 1992. S.186-199.
Whitehead, Lee M. "The Active Voice and the Passive Eye: Heart of Darkness and Nietzsche's The Birth of Tragedy", Conradiana 7, 1975. S.121-135.
Wimmer, Michael. "Verstimmte Ohren und unerhörte Stimmen", Dietmar Kamper, Christoph Wulf (Ed.). Das Schwinden der Sinne. Frankfurt a.M.: Suhrkamp, 1984. S.115-139.

Zu  Einleitung / Theoretischer Hintergrund / The Nigger of the "Narcissus" / Heart of Darkness / Typhoon / Schlußbetrachtung